Michelle Dorrance goes to a lot of places, and every time she does, she brings something. Just about anybody who sees her perform, checks out her choreography, or just reads about her in a magazine sees it right away, but If you asked every single one of them what it is that Michelle Dorrance brings, what exactly she has, you might never get the same answer twice. There are so many dimensions, so many perspectives, so many moving parts to everything she's doing that everybody sees it a little differently; she brings a lot to the art of sharing her art.
Surprisingly, it's possible to not even know about Michelle Dorrance if you don't know anything about the rich past, and richer present, of tap dancing; If you do, though, you really can't miss her. She's the one with the rocket-quick step, the stylish look and the bass-player-in-a-rock-band steadiness, the one on the cover of Dance Magazine, on Late Night with Jimmy Fallon with STOMP and Paul Simon, at The Blue Note Jazz Festival and at the United Kngdom's prestigious Royal Variety Performance. She's known both as a dancer and as a choreographer, as someone who can pull from the past while she pushes the future, and she's the only tap choreographer the Princess Grace Foundation has ever recognized with a Choreography Fellowship.