Joshua Manculich

Thodos Dance Chicago Presents NEW DANCES 2010

Thodos Dance Chicago NEW DANCES 2010

Thodos Dance Chicago’s NEW DANCES 2010 will be presented July 16 and 17 at 8PM and on Sunday July 18 at 5PM at The Dance Center of Columbia College Chicago, 1306 South Michigan Avenue, Chicago 60605. (312) 369-8330. For ten years, New Dances has been a uniquely successful showcase of new choreography; it's innovative approach to supporting the development of new works has created a whole artistic scene around the rehearsals and studio work, costuming, sound and lighting design that go on each spring and early summer, leading to the July performances. It's a once-a-year opportunity to see a bright and broad spectrum of innovative dance creation, but at major-company levels of performance and production. You can find out more about each of the choreographers and the works they will be premiering here:

Sharon Joyce Kung and "Just Before Now"
Brian Hare and "Temporary Proof"
Wade Schaaf and "Dancer, Net"
Jacqueline Stewart and "Jiffy Pop"
Joshua Manculich and "____versus____"
Danielle Scanlon and "Heart Strings"
Francisco Avina & Stephanie Martinez Bennitt and "Quieting the Clock"
Jeremy Blair and "2:00 AM, Delancy St."
Jessica Miller Tomlinson and "Big Technique"

The Choreography of New Dances: Joshua Manculich and ____versus____

Joshua Manculich (Photo by Cheryl Mann, courtesy of Thodos Dance Chicago)

Joshua Manculich began planning this work several years ago, building it out of a repeated awareness of how opposing forces in every life bind an individual, limit an individual, prevent an individual from breaking out of -- something. Could be anything, and in everybody's experience, it's many different things, which is why the title leaves both parts of the opposition blank. The essential idea is of determination and endeavor --- because Manculich is more concerned with what a person does about breaking free than he is with the specific challenge that binds them. In doing so, he also identifies one of the unique qualities of choreography among the arts. A painting of this subject, and there are many, would have to be deeply abstract, like music, or else literal and specific, like writing. But in voicing this study in the movements of ten dancers on a stage that is emblematic of their challenge, Manculich's choreography can remain focused while still being inclusive of all similar challenges.

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