Pascal Rioult is a choreographer, but he constructs his works from materials that very few others know how to find. Like an artisan with his own secret resources, he's the maker of a rich and complex cloth; he weaves moments in time from threads of imagination and makes them into Dances.
He's the Artistic Director of RIOULT Dance NY, the Company that he founded in 1994 after a successful career as a principal with the Martha Graham Dance Company. He's been making dances for years, complex, captivating, intensely musical works, quite often set to full symphonic scores that few contemporary choreographers would venture to explore. Rioult doesn't hesitate to do so, because he has an ability to balance the innate orchestral power of such music with an equally powerful sense of precision and innovation, and he sees no reason to stop there.
On Tuesday, June 4th he'll premiere his latest work, Iphigenia, when RIOULT Dance NY opens their New York Season. In eight performances that run through Sunday, June 9th, audiences at The Joyce Theater will have the chance to see his most recent alchemy unfold, a collaboration with composer Michael Torke, along with three other critically acclaimed works, On Distant Shores, Prelude to Night, and Bolero. The premiere of a new work by an imaginative choreographer, set to a new composition by an equally respected composer would be news enough, but in this case, where it all comes from is an even more singular story.