Ron De Jesus

Great Reviews: The Thodos Dance Chicago Winter Concert

"The White City" at the Thodos Dance Chicago Winter Concert

The Thodos Dance Chicago Winter Concert, featuring major new works by Ann Reinking and Melissa Thodos ("The White City: Chicago's Columbian Exposition of 1893") and by multi-talented choreographer Ron De Jesús ("Shift"), has received a very impressive crictical response. The show begins with Reinking and Thodos's work, and in the second act, which closes with "Shift", audiences also get to see the return of two audience and critical favorites from 2010 New Dances series: "Quieting the Clock" by Francisco Avina and Stephanie Martin-Bennet, and "Dancer, Net (Solo 1)" by Wade Schaaf, as well as a second world premiere by Thodos, "Getting There", a sequel to the signature work that began her choreographic career. Here are some excerpts from a few of the reviews:

Hedy Weiss, The Chicago Sun-Times: "The program, whose second act contained four other works of exceptional quality ... is a must-see for anyone intrigued by Chicago history, by the power of dance to spin a story, and by the sight of a dance troupe clearly in the throes of a major breakthrough.
... “The White City” is a sophisticated, utterly involving blend of ingeniously imagined, superbly executed movement (with echoes of everything from “The Green Table” ballet to Broadway’s “Ragtime”); ravishing music (Bruce Wolosoff’s seductive “Songs Without Words,” played thrillingly by the Carpe Diem Quartet, perched in a balcony box); film (clever use of archival material by Christopher Kai Olsen, with deft narration by Chris Multhauf); haunting lighting (by Nathan Tomlinson, whose artistry was on display throughout the evening), and period-perfect costumes (by Nathan Rohrer)."

The Thodos Dance Chicago Winter Concert: Ron De Jesús and Shift

Shift at the The Thodos Dance Chicago Winter Concert

Accomplishment and serenity are not always traveling companions. The continuous effort that an unending series of challenges and successes demands often occupies most of the space in life that might have been reflection or relaxation. Ron de Jesús knows something about that, because nobody accomplishes what he has without working hard and working a lot. Every line in a long list of credits and awards --- dancing from Hubbard Street to Broadway, work in film, work in theater, choreographing for many of the world's great dance companies --- every credit and every award is its own list of meetings, cab rides, rehearsals, and airports, of meals missed and sleep forgone. On the other hand, you can't create original choreography that is as thoughtful (and thought-provoking) as his unless you can somehow find a way to stop. To look. Or as De Jesús says, "to respect all that this grand, delicate world has to offer".

Syndicate content

Top of the page
Terms of Use | Privacy Policy
© 2008-2015 All Over The Place Records - All Rights Reserved